A Face and a Name

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My new business cards from Moo.com are so much fun! Love how they and their lovely card holders (which come free with the cards) are sourced from paper from sustainable forests and recycled pulp. Even the four, red order reference cards aren’t wasted. Instead, they have fun sayings on them like “I like your shoes.” I passed one on to our daughter (“You’re delightful.” ) and will give the other three to readers who want them at my next book signing: Indigo Books, Pointe Claire, Quebec, Saturday, October 4th! I’ll also be the guest author reading & signing books at Pincourt Library, QC, on Tuesday, November 4th.

I’ve put a photo of myself on my business cards for the past two years and have noticed it’s made a big difference in people finding my web sites and buying my books. Some people forget names – so a biz card with just a name on it doesn’t always jog their memory about, “who the heck handed me this card again?”

Think about it for your business cards!

By the way, I love your shoes!

Heather :)

 

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An Interview with Heather Grace Stewart

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Leap, from the author of Where the Butterflies Go, is available for purchase at Lulu.com and Amazon stores worldwide.
It’s also available on Kindle, Kobo, iBooks, and where all fine ebooks are sold. You can also order an autographed copy via Paypal. Contact the author at writer@hgrace.com. Half the proceeds from sales go to Hearts for Change – an Educational Project for orphaned children in Kenya.


Here’s an interview with the author from 2010:

Questions for a Poet, As Put to Seamus Heaney

Q: Some years ago, Seamus Heaney told an English journalist: “My notion was always that, if the poems were good, they would force their way through.” Is this now your experience?

HGS: Absolutely. Sometimes it comes through in a matter of minutes; other times, I write down a few lines, and the rest follows maybe a day or a few weeks later. But if it’s good, it all ends up on the page…and then typed into a document in my “Poetry in the works” file on my computer, and then, if I still like it after I’ve lived with it a couple weeks, I put it into a “Poetry to publish” file.

Q: Over the years, Heaney often quoted Keats’s observation, “If poetry comes not as naturally as leaves to a tree, it had better not come at all.” Is that just a young poet’s perspective?

HGS: I think so. It doesn’t always come naturally to me. Sometimes I just need to sit down and force myself to write. Stop listening to the whining voice; shut it out, and just “do it.”

Q: Does this mean that a poem essentially begins for you when you find a form?

HGS: A poem essentially begins for me when I’ve found my voice for it; the form takes shape with the voice.

Q: Is there a poetry time of day and a prose time of day?

HGS: Used to be I used my early mornings for poetry and at sunset, and prose anytime, but now that I am a mother, it’s when I have a notepad, pen, and that spare minute when I’m not being asked to wipe a bum or put Barbie’s head back on.

Q: I remember Anne Yeats saying that her father mumbled to himself when he started to write. Would the Stewart household know that a poem was coming on?

HGS: In my household my hubby can usually tell a poem (for kids or adults) is being born if he comes home at 6:30 p.m. and DD is beside me doing a puzzle; a grilled cheese or rice is burning on the stove, and I’m soaking wet; just out of the shower in a towel with a focused look on my face, typing at the computer, “Just a minute, honey I have this idea…” And he’s so cool about that. He’s used to me by now. Now my daughter’s getting in on it, too. She looks at my face sometimes and says, “Mommy, what? Do you have an idea? Tell me, tell me, what is it? ” I try hard to be in the moment with her as often as I can, but the kid is smart, she’s onto me…so I usually end up spilling, because I don’t like to talk down to her, and sometimes, just by explaining it to her, she helps me better formulate the idea. Just wait, you guys are going to love our kids poem, ‘Cats Can’t Cook!’

Q: Do you ever feel burdened by the sheer amount of work you know it will require to do justice to a particular inspiration?

HGS: All the time. All the time. Right now, I’m trying to write a poem that’s going to do justice to this amazing group of people I’ve met online, and become close to over a year and a bit. Some might guffaw that you can make special friendships online. I beg to differ. I don’t know how I’m going to write something that truly speaks to this experience I’ve had. I think maybe they’ll help me somehow, because a lot of them are writers…actually, I’ve dedicated LEAP in part to them.

Q: How can you tell a poem is finished?

When it stops shouting at me. ;-)

Q: Do you keep a notebook of phrases and images for later use?

HGS: I have several notebooks, with penned poems/ ideas to type out later, and my images are saved on the computer by date.

Q: Does the poem come more quickly if there is a form? Would you be offended to be called a formalist?

HGS: I don’t think anyone would call me a formalist, but I definitely use techniques. Just not formally. Okay, seriously now, I’ve written haiku, tanka,
and Villanelles, using proper form. I just don’t like being weighed down by form. As Frank sang, I’ll do it my way ;)

Q: Do you have a preference for pararhymes and half rhymes over full rhymes?

HGS: I only use rhyme when it will only come to me that way, and even then, I hesitate to use it. I have to think about it first. I ask myself, is this form going to help the message or hinder it?

Q: Are you a poet for whom the sound the words make is crucial?

HGS: It’s all about sound for me. I love alliteration. Sometimes a poem starts out with words that sound great together; they just come to me and I have to write them down. For instance, I was walking to a Queen’s University class at 8 a.m. one rainy spring day in Kingston, and couldn’t get this line out of my head: ‘These are the days, quickly melting away,” (from the poem EQUINOX). The poem took off from there.

Q: Would you accept Eliot’s contention that the subject matter is simply a device to keep the reader distracted while the poem performs its real work subliminally?

HGS: To some extent. But I don’t do it on purpose. It must be subliminal. ;)

Q: What role does humor play in your poetry?

HGS: I don’t try to be funny. I don’t try to be anything. I just write the way I think, and I think people find my honesty refreshing and humorous.

Q: What are your thoughts about accessibility and obscurity in poetry?

HGS: Accessibility is probably my trademark: something I’m proud of and at the same time it’s my tragic flaw, if you will, because I’m so accessible, many journals wouldn’t be interested. I’ve managed to get several respected online journals interested, and printed ones in the UK, and even a Canadian textbook company sought me out. I’ve been published in international anthologies, including a very special one memorializing 911–Babylon Burning, edited by the great Canadian poet Todd Swift–and in a few print journals in Canada, but not the most “elite” ones–the ones that have been around almost 100 years. I’ve kind of given up trying because I don’t think it’s that important to me any more. I want to touch real people’s lives; not just the academics. I want to write something that might comfort a stay-at-home mom or a couple struggling with their love/ marriage or a depressed person looking for a glimmer of hope in a fast-paced world. I think the people I’m trying to reach are more likely to happen upon my poetry on the Net, not so much in the special collections rooms of their libraries. I know that people can understand my poetry without having to go look in some reference book (except for the odd references I make to items in the news, and even then I try not to be obscure) and that’s quite odd. But I can’t change the way I write. I guess I’m destined to be a Fridge Poet – the one that makes it to everyone’s fridge beside their kids’ finger paintings. And at the same time, to help a few children in third-world countries get the education they wouldn’t otherwise get. That’s just fine with me.

Q: And the avant-garde?

HGS: I’d love to be avant-garde. I’d love to be Avant anything. Ahead by a Century. That’s cool. I think some of my poems are there (for instance, my collection Leap features the concept of the Status Update as poetry), others, not so much, and I guess we’ll see which ones stand the test of time in 100 years. Well, no, unless I live to be 137, I guess I won’t see that. But whether they’re set in a classic or innovative style, as long as my words can touch a few people’s hearts along the way…for me, that’s really all that matters.

Thanks for reading! —Heather Grace Stewart

Another Five Star Review for Three Spaces!

THREE SPACES
5.0 out of 5 stars

A self-contained trilogy of insight in microcosm and macro-wisdom January 16, 2014
By Carl J Dubois

Format:Paperback|Amazon Verified Purchase

The concept of “Three Spaces” is more genius than appears at first glance. Public Space and Personal Space are prelude and context for Cyberspace, and they set up beautifully the expression of the mixed emotions inspired by the new connectivity we find ourselves navigating in this changing world.

“Dances With My Daughter,” in the Personal Space section, reveals — perhaps more than anywhere else — the poet, the woman, the mother, the wife, the person — the author and thinker coming to terms with all of life’s demands, and the juggling act required by them, but mostly the liver of life who knows where the real stuff resides, and why we juggle.

It is instructive, accessible reflection from someone who finds the time to observe in a briefly detached way before rushing back into all of life’s entanglements, commitments and momentum. So wonderful too how often it feels communal, as if she is expressing what we feel but struggle to say.

Open it to any page and enjoy the simple wisdom and honest revelations of self from a soul whose writing feels like her balancing act — beauty found in the spaces between all of our appointments, and like gifts rather than some obligation we have to read it so we can move on to the next thing on our list. You will want to keep it close by, to see what gifts it reveals next time.

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What I’m Up To When I’m Not Tweeting/on Facebook

-In edits this month and next for my novel Strangely, Incredibly Good (more news on that from my new publisher next week!)

-Negotiating sale of poem ‘The Day You Looked Me In The Eyes’ (Three Spaces) to Oxford U. Press! It will be used for a teacher’s resource guide to teach their UK syllabus; anticipated sales are 500 over 3 years. I’ve worked with Oxford University Press a few times and am so impressed with them.

-Preparing to read from The Groovy Granny and teach Haiku and freestyle poetry to Gr. 3’s at a local school (early February 2014)

-Preparing to speak at Queen’s Media and Journalism Conference March 8-9 2014 – thrilled to be invited back!

-Laundry, laundry, laundry (does it clone itself when I’m not looking?)
-My title is a bit of a joke – I do love Tweeting and Facebook, but in my free time I also love Image
just being with my family, scrapbooking, and doing yoga (I’m writing those last two on purpose so I actually commit some time to them soon!)

Can’t wait to share more about my upcoming novel with all of you with a post from my new publisher – NEXT WEEK! :)

Have a great start to 2014, everyone. Make it count.
Heather

2013 in Review (THANK YOU READERS for All Your Blog Visits!)

I’m thrilled to learn that my blog had 21,000 views this year, because I have to admit, I haven’t been focusing my time on creating many blog posts or links to my blog. I’ve been focusing my time on WRITING, and then when I have free time, I’ve created Facebook page posts, because so many of you have joined me there. Thanks again!

I haven’t posted a lot to the blog this year because I’ve been occupied writing my novel. So, thanks for your patience, regular blog readers, and I promise you’ll be rewarded for it in 2014!

All the best for 2014!

xox Heather

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 21,000 times in 2013. If it were a concert at Sydney Opera House, it would take about 8 sold-out performances for that many people to see it.

Click here to see the complete report.

No One Will Retweet This.

My brother in law passed away last week from a rare, fast-growing form of cancer. I mourned, and I wrote sad poetry, and I supported my husband who flew to BC to support his family, and I tried to hold myself together for our 8-year-old.

And then I just said screw it, and spent an entire day on Twitter.

Now, because I want my BIL to look down on me and go, ‘Yah, you really seized the day!’ in a proud and not sarcastic manner, let me elaborate. I spent the day on Twitter as an experiment.

I want to learn to use this amazing tool to reach out in a world that, more and more, is turning inward. I mean, the Oxford word of the year is Selfie. What does that say about us? We have more resources for connecting with others than ever before, but lately, it feels like we are more disconnected from one another than ever before. It’s easy to ignore a cell phone call, a text, a tweet, a FB post. Gone are the days when the phone rang loudly and we ran to grab it, then chatted for an hour with our best friend.

Life is fragile, as the death of two dear friends in January and now the death of my BIL have taught me. I want to meet people with like minds, and like perspectives on the world. I also want to meet my opposites. That’s the stuff that makes this fragile life interesting.

So, when I returned to tweeting more regularly after, quite honestly, having had my Facebook feed and blog just spurt out poetry and photography links for many years, I was pleased when I gained over 40 followers in a day.

The fact that one follower kept tweeting #MentionSomeoneBeautiful to me along with 1,000 other women he’d mentioned on his feed is besides the point. I also tried to disregard that one of my new followers calls himself a jackass, eats fire, and drinks milk through a tube that he’d stuck up his throat and out his nose. Hey. We all have our quirks!

I came away with quite a few observations from this experiment. If they can help even one new Tweeter or long-time frustrated Tweeter, I’ll not have wasted an entire day on Twitter, so I must share them.

Go for the Gentle Clap; Be Surprised By the Standing Ovation. Don’t expect a retweet, and above all don’t try to make it happen. Do not try to be funny or clever. Just be yourself and have fun on there. Besides, few of us give or receive Retweets anymore. That’s so 2008. People click one button, to Favorite. Faster. Easier. More like a gentle clap, rather than a standing ovation.

Find Your Own Voice. Some people do retweet, all the time. These are accounts that retweet lots of interesting, or maybe not so interesting, material, or anything a celebrity says, but they don’t have much to say themselves. I’d suggest that if you decide to Tweet, have something to teach people or to entertain your followers, or to enliven or enrich their lives every day. Or, at the very least have a dirty joke or two up your sleeve. Sex gets retweets, and often, mentions, which means you strike up conversations with other people, and there are lots of laughs. I can’t go there because I’m a respected professional writer, or I’m trying to be, anyway, but check out my character @BadAssGrandma  :)

Find Your Time to Tweet. The people who follow you all have schedules and routines they follow. Figure out what those are, so that your tweet gets the most exposure. If you tweet at 5:03 a.m., you may get some writers, or someone’s cat sleeping on the keyboard. Try to tweet at the same time every day, or, every few hours. Find the hour that works for you but make it during those hours when people are looking for something to do other than what they’re supposed to be doing (work hours, 9-5, is a good start).

Have Fun. Don’t take yourself or Twitter too seriously. In 10 years there will be some other social network type invention – probably involving Holograms and dancing penguins and blinking our Favorites with our eyes. We’ll all try to be Super Stars at that again, while our Twitter feeds lie dormant, but still displaying those horrid Tweets of Twitter Past.

Don’t Forget Your Ruby Slippers. Spend the bulk of your time trying to be the Super Star in your real life, giving to the people who love you and have your back. I’m not saying you can’t make genuine online friends on Twitter. I’m saying don’t forget about the people who love you back home. Twitter is Oz. Always bring your ruby slippers when you log on so you can get back home.

If you’re Tweeting to make money, please disregard these observations. I just tweet for fun, and for the applause, applause, applause. Excuse me, I have the urge to go take a Selfie.

Still have to work on my sarcasm…never been good at it. Another reason I’ll never be a Super Star on Twitter!

Heather ;-)

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Ask the Twitterverse

Quote

Miley Cryus does some kinda twerk;
Twitterverse says that she’s a jerk. Image

PM Harper “twerks occasionally,” or so he thinks,
Twitterverse shares, with knowing winks.

Much ado about nothing
could be everything — who knew?

It depends what
the Twitterverse
thinks about you.

Making Space for Accessible Poetry

February 15, 2013

Canadian Poet Heather Grace Stewart launches her fourth poetry collection, Three Spaces

Three Spaces is a ‘brave new collection’ of poetry, prose and photography from Amazon and iBooks Canada bestselling-poet and journalist Heather Grace Stewart.  It examines themes within three spaces of our society: public space, personal space, and cyberspace.
“I wanted to put out a collection that was a reflection of our society today, of how we’re trying to balance our  public lives with our lives in cyberspace, all while trying to maintain some privacy in our personal lives,’ Heather explains.

“There are dark and intense poems that start this collection, but then I move into tender, humorous poetry and prose to lighten the mood, and colourful images that can provide space for introspection,” Heather explains. “As always, I try to give my poetry substance, but make it accessible. I don’t want my readers scratching their heads or pulling their hair out after reading one of my poems! I want them to relate in some way. I’d like for them to walk away from the experience of reading this book feeling moved, energized and entertained.”

Early reviewers describe Three Spaces as ‘inspiring’ ‘heartfelt,’ ‘professional’ and ‘modern.’ Best-selling Author Elisa Lorello (Faking It, Adulation) writes,

“Buy this book. Get hooked. Add it to your space. You won’t be disappointed.”

Three Spaces is available now in Kindle Stores Worldwide, including Canada, USA & India, the UK, Germany, and many other countries, as well as on Kobo, iBooks, Nook, Sony Reader, and many other epub readers.

It will be available in print on Amazon and in bookstores in April, IF there is enough initial interest (at least 100 requests ) to warrant the production costs.

Heather will appear at Chapters Pointe Claire, Quebec on April 14th to celebrate National Poetry Month and to read from Carry On Dancing and a Kobo version of Three Spaces on her Kobo for IPad app.

Heather’s poems have been published in Canadian literary journals, newspapers and magazines, nation-wide school textbooks, international print anthologies, online journals, and in the British small presses. She was awarded Queen’s University’s McIlquham Foundation Prize in English Poetry (1995) and the UK journal Various Artists’ Poet’s Poet Award in 2008 and 2012.

Her third collection of poetry and photos, Carry On Dancing (Winter Goose Publishing, 2012)  hit #1 on Amazon Canada’s Bestselling Poetry list in April 2012, and stayed there for several weeks. It’s now topping the Canadian Kindle Bestselling Poetry charts along with Where the Butterflies Go.

Her second collection of poetry and photos, Leap (Graceful Publications, 2010), has been described as a “lovely lilt of language,” and, “a must for new and already hooked fans,” by reviewers. Where the Butterflies Go (Graceful Publications, 2008), was reviewed as “whirlwind poetry that never hesitates…always delightful and rarely what you expect. We need poetry like this.”

Heather is also a children’s poet, and enjoys screenwriting. The Groovy Granny (2012 Kindle version; Special Audio Version on iBooks) and The Friends I’ve Never Met (Romantic Comedy screenplay, 2012) are her best-selling Kindle books.

Her photographs have appeared in Equinox and National Geographic Traveler among others, and on the cover of over a dozen poetry books.

Born in Ottawa, Canada, she lives with her husband and daughter near Montreal. In her free time, she loves to take photos, scrapbook, cartoon, inline skate, dance like nobody’s watching, and eat Swedish Berries — usually not all at the same time.

Three Spaces

Meet Four Writers On A Blog Hop!

Welcome to my blog hop, where you will learn a little more about me and three other authors:

Tracey Allen (Sustainable/Gluten-free/Passive Solar) http://simplifyandsave.weebly.com/blog-save–simplify.html
Luigi Benetton (Technology/Business) http://luigibenetton.com/category/technozen/
Paul Lima (Business of Writing) http://paullima.com/blog/

and her
e’s my official website:

Heather Grace Stewart (Author/Poet/Speaker) http://heathergracestewart.me

If you’ve never visited my blog before, thanks for dropping by! Hope you’ll stay a while, and please be sure to visit my writer friends’ blogs. Thanks!

I’ve been writing creatively since I was five years old, and my first poem was even published (in the school newsletter!) From that moment on, I was hooked on writing. I went to Queen’s University in Kingston, Ontario, and wrote for the Queen’s Journal and Tricolour Yearbook. Then I attended Concordia and completed a graduate diploma in Journalism. After a few years working for a newspaper and several magazines as their associate editor, I decided to become a freelance writer, and in 1999, I founded Graceful Publications, my freelance writing and editing business.

Little did I know that one day I’d expand that business to become a book publisher!  I’ve been traditionally published a few times (Jackfruit Press, Bewrite Books and Winter Goose Publishing) and recently, through Graceful Publications, I published a book of children’s poems, The Groovy Granny, my screenplay The Friends I’ve Never Met, and I’m so excited to announce that my 4th collection of poetry, prose & photography, Three Spaces, will be released in ebook format mid-February 2013 (print will come a month later). I really enjoy doing readings and speaking engagements, and am looking forward to doing a workshop on epublishing at the Queen’s Conference on Journalism and Media next month.

I think the best advice I can give to aspiring authors is to follow your passion. You may have to keep a job you don’t like much to pay the bills, but if writing about fly fishing or vampires or poetry is your passion, then find the time to do that, because that’s probably where you’ll do your best work and find your greatest joy. Don’t give up, either. There are so many different ways to get your work out there now – you can make your own ebook for free, or post samples of your writing on a blog, record them in pod casts, or even Tweet them!

So, don’t give up! Write every day, even if it’s a few words on a little sticky note. Those few words could spark a great novel some day.

Network of Two

We’re running in circles on Google Plus,
We’re passing like ships, and what’s the fuss?
I miss conversations that lasted all day,
And privacy, and building on trust.

We share this home, these kids, the WiFi,
At the end of the day we have to try;

To pour some wine, not check our Klout;
To share our stories, not tweet them out.

The connections can thrill;
The Plus 1’s gratify;
But nothing compares
To you and I.

How you read my mind;
How I know what to do—
You and I,
In our network of two.

'Network for Two' copyright 2011 by Heather Grace Stewart


I’m posting this for the fantastic dVerse Poets Tuesday Open Link Night http://dversepoets.com
Please join us!