This is the story of a screenplay that has traveled around the world more than I have in the last three years.
It’s the story of my romantic comedy screenplay, The Friends I’ve Never Met, now available for you to read and enjoy on Kindle or for free on your laptop or desktop computer using easy to use, FREE Kindle software I’m selling the screenplay there for just three buckeroos.
Why put a screenplay on Kindle? Why not? It’s registered to me under WGAW, and it’s not like it hasn’t been read by dozens of people already. I just decided that I wanted it to be available for more people to read and enjoy.
I wrote The Friends I Never Met in 2009, and acted as my own agent, because finding an agent proved tougher than just getting it read by people in the industry. On a whim, I called up my then-Facebook friend, playwright and screenwriter Aaron Sorkin (he’s since left Facebook) and asked if he’d take a look at it. He was kind enough to say he’d be happy to read it (and also to suggest I buy the show Pinky and the Brain to engage my then- four-year-old daughter. I’d told him I’d given her a bowl of cheetos bigger than her head so I could “talk to the nice movie-making-man.”) and to send it right away to his office. It’s an understatement to say he’s a busy guy, and he never found the time amid writing The Social Network, Moneyball and The Newsroom. Last he told me, it was not only in his house but in his “awesome Mulholland Brothers script bag.” I’d like to think some day he’ll finally pick it up, read it, and give me some pointers ~ or maybe even take his Kindle out of the box, set it up, and read my screenplay on the Kindle. That would surprise me more, since he admits he doesn’t even know how to create presets on the radio in his car. But, damn, the guy can write movies and television.
I didn’t stop at sending it to Mr. Sorkin (twice). I sent it to one of my writing heroes, Michael J. Weithorn, executive producer-writer of King of Queen’s, a writer-producer of Family Ties, and now a film director (A Little Help, 2010). He didn’t just read it; he offered to talk about it over the phone with me. His advice was the best I got on this journey. I used a lot of it to make the script tighter, more real, and, I hope, more compelling. As well, he sent me old Family Ties shirts and a funky sateen jacket from set. Come ON! It was definitely a Top 10 moment for this Family Ties junkie.
I sent the screenplay to several screenwriting festivals too, including WildSound in Toronto and Scriptapalooza in the U.S., and I got some solid writing pointers back from a team of writers at each festival. I used their comments to improve it once again. (The script has seen at least 10 revisions. I’ve lost count).
I’d been acquaintances with actor Mark Feuerstein (What Women Want, In Her Shoes) for a few years before writing this screenplay (we’ve never met in person but we’ve spoken on the phone), and he agreed to read the script next. What a sweet, unassuming guy. He was busy preparing for his new show, Royal Pains, at the time, but he still took the time to read the screenplay, compliment me on it in an email (he even said he’d be happy to play either male character, schedule permitting and all!), and offer to let me use his comments as a referral to any person or agency I sent it to. And so, I sent it to his agency and a few others, and crossed my fingers that it would catch someone’s eye in the Slush Piles of Screenplays.
It didn’t, so I continued to send it to festivals, and called producers, big and small, in LA. Sometimes, their office assistants wouldn’t even give me the name of the person I should mail the script to. I used to open with “I’m in Canada.” Maybe that was a bad idea, EH?
Next, I poked someone else on Facebook. I’m kidding – but all of these contacts thus far were made thanks to Facebook!
Other places my script traveled? Actress Forbes Riley (24, The Pretenders, The Practice) gave it a read and a big thumbs-up from Florida. Next it went overseas to New Zealand into the hands of actor-director Tom Cavanagh (Ed), who was acting as Ranger Smith in Yogi Bear. He then accidentally left it in the Vancouver airport waiting room. I’d like to think he was overtired from flying half way around the world, and not that he left it there because he hated the read. It was mailed back to me with some very constructive comments – including new director’s directions! – in the margins up to half-way through. I kept that copy because that was even better than an autograph, and I implemented the changes he suggested.
I even spoke with Drew Barrymore’s Director of Development for Flower Films on the phone, and he agreed to read the film’s synopsis. He told me it “sounds like an innovative idea and a fun, sincere story, and you’re definitely plugged into the zeitgest,” but Flower Films is a “small company with a very small slate and not making that genre of film right now.”
A lot of good friends and family members read the screenplay, too. I asked for their honest opinion, and in many cases, their critiques helped me change scenes and characters for the better.
After two years of sending the screenplay around the world, I was stopped. I always say, ‘Keep on going until you are stopped,’ when it comes to your dreams, but this dream was getting expensive! I did one last revision, then left it alone.
But, I didn’t want that to be the end of this story. Recently, I read the screenplay again, and realized I didn’t write it for it to gather dust inside my laptop’s hard drive. I wrote it for people to enjoy.
I just had to come up with another way to get more people to read it. So, I’ve published it on Kindle (and soon, on the Kobo and iBooks!) and hope that you all buy it and tell me what you think. It’s not like I haven’t heard compliments and critiques from people from all walks of life already; I’m all ears for yours!
Enjoy the read and if you like it, please tell others about it!